Tuesday, 27 June 2017

Why Haven't You Seen...? Jess + Moss (2011)




Posted by Sam Inglis



What's it all about?

Over the course of one summer, 18 year old Jess (Sarah Hagan) and 12 year old Moss (Austin Vickers) spend their time in an abandoned, derelict house. They hang out, play, talk, argue and grow up.


Why haven't you seen it? 

I may have missed this film on the festival circuit, but the first I even heard of it was when I stumbled on the DVD while looking through a sale on titles from the label it was released on in the UK. It's a fair bet that this just flew under your radar.


Why should you see it?

Mainstream coming of age cinema has been pretty uninteresting of late, dominated by YA adaptations, but in the background, in the indie scene, there has been a quiet renaissance going on in the genre. Jess + Moss ought to be seen at the very centre of that renaissance.

Tuesday, 20 June 2017

Hampstead By Joel Hopkins

                             


                                      Reviewed By Linda Marric

 It's no secret that Londoners have alway met any big Hollywood or British production based on a local landmark with a huge amount of suspicion, and sometimes even derision. Who could forget the locals' reaction to Roger Michell’s Notting Hill in 1999, and how the lack of representation of the area’s rich and diverse community was met with anger and disappointment by many. Granted, Hampstead doesn't exactly present the most subtle or even the most believable narrative, but if you are willing to ignore the blatant “touristic” aesthetics attached to it, you might find yourself rooting for this hugely completing, yet slightly flawed rom-com. Staring Diane Keating and Brendan Gleeson and directed by Joel Hopkins, the film centres around themes of gentrification and triumph over corporate greed in one of the capital’s most affluent areas.

Thursday, 15 June 2017

The Seasons in Quincy: Four Portraits of John Berger



                                      Reviewed by Gabriella Apicella

To the devotee and the uninitiated, “The Seasons in Quincy” inspires the urgent passion of the curious.

As art critic, novelist, painter and poet John Berger will be referenced as a great intellect for generations to come. His use of language in such seminal essays as “Ways of Seeing” demonstrates a mind of great compassion and precious insight that can transform perception. So a film that can bring its audience to an intimate sense of knowing the man behind the work requires skill, and a radical style. As epic a task as Todd Haynes’ unravelling of the facets of Bob Dylan with “I’m Not There”, a conventional approach to capturing the man’s essence would be at risk of missing the point. In Berger’s own words: “To separate fact and ­imagination, event and feeling, protagonist and narrator, is to stay on dry land and never put to sea.”

Tuesday, 13 June 2017

Mandy by Alexander Mackendrick



                                             Reviewed by Linda Marric

To celebrate the 65th anniversary of the release of Mandy, Studiocanal have brought out a brand new restoration of this well loved Ealing Studios Classic on Blu-Ray and DVD. Considered by many to be one of the best productions to come out of the legendary studios, Mandy gained a huge success and notoriety when it was first released in 1952, and went on to earn a special place in the hearts of all those who've come across it since.

Monday, 12 June 2017

Destination Unknown by Claire Ferguson




  
Reviewed by Andy Zach

Destination Unknown, directed and edited by Claire Ferguson, navigates the Holocaust through the memories of twelve people who lived through it in different ways. To name a few, there’s Helen Sternlicht who was saved by Oskar Schindler. Stanley Glogover survived Auschwitz. Mietek Pemper was Oskar Schindler’s closest assistant. Frank Blaichman left his family to be a partisan fighter. Eli Zborowski tells the story of how he survived by hiding behind a wall in a cellar. All twelve of the stories told have a specificity to them that widens the scope of the Holocaust to a human level and allows us a gateway into understanding it in in a personal way.

Friday, 9 June 2017

The Mummy by Alex Kurtzman







Reviewed by Linda Marric



Literally nothing about the new The Mummy reboot inspires any kind of excitement or even the slightest bit of interest resembling the one afforded to its late 90s predecessor. With its barely intelligible messy and overly wordy screenplay and a below par performance from its principle star, I think it’s safe to say that this new reincarnation of a well loved classic, will go down as one of the worst blockbuster of the summer, even if it manages to perform well at the box office. Staring Tom Cruise and Directed by Alex Kurtzman, The Mummy pretty much fails on all accounts, but is almost saved by an incredible performance by the brilliant Safia Boutella, who could single-handedly be credited for breaking the curse of this utterly shambolic production.

Thursday, 8 June 2017

Wilson by Craig Johnson



Reviewed by Linda Marric 


Adapted from Daniel Clowes’ graphic novel of the same name, Wilson has none of the charm or sleek narrative as Clowes earlier work. Try as you may, you will find it very hard to get excited about this adaptation the same way most of us were when we came across Clowes' other highly popular graphic novel Ghost World, which was adapted to the screen by Terry Zwigoff, Staring Woody Harrelson and directed by Craig Johnson, Wilson is not so much a character study into middle-age, but more of a cautionary tale revolving around an antisocial neurotic curmudgeon who hates everyone and everything.